Another weird year in reading, this one: with the libraries closed again until April, a good third of the books I read this year were re-reads. Re-reading is a pleasure of its own, of course, but what it doesn’t bring is the shock of the new, the brilliant surprise of discovering something you didn’t know existed. As a result, I found it difficult this year even to identify ten new-to-me books that I thought were top-tier favourites; normally I’m whittling down a list of about fifteen.
Here they are, anyway: my top ten reads of 2021; and, afterwards, some spreadsheet stats.
Top Ten Books of 2021
- Utopia Avenue – David Mitchell (2020). This mostly-realist tale of a fictional 60s band has some misfires – most notably its somewhat schlocky speculative element – but its characters are so vivid, so humanly flawed, that you can’t help but love it. Dean, Griff, Elf, Jasper and Levon all – still! – feel like friends of my heart; this is a truly warm and wonderful novel.
- Hild – Nicola Griffith (2014). It took me twelve days to read this 550-page novel, and I’m a fast reader. Part of what makes it a slow read is its almost speculative treatment of its seventh-century setting: it plunges the modern reader into a very alien cultural and social milieu, asking us to keep up with political divisions and developments that we know almost nothing about, using unfamiliar terms that it doesn’t stop to explain. And part of it is that Hild herself gains power in a hostile society by observing, quietly, the movements and currents of the world around her. It made me want to do the same: to pay attention; to read slowly and carefully and thoughtfully. One of those rare books that changes your worldview as you read.
- The Water Dancer – Ta-Nehisi Coates (2019). Another novel that applies speculative techniques to the stuff of realism; in this case, Virginian slavery. I loved Coates’ lyrical, supple prose, and his use of fantasy to point up the ways in which his enslaved characters are estranged from their own history. For me, it’s a novel that achieved what Colson Whitehead’s The Underground Railroad did not.
- Possession – A.S. Byatt (1990). I was never not going to like this layered, brilliant tale of academic discovery and forbidden romance. It just works on so many levels: the tone-perfect pastiche of Victorian poetry; the exploration of intellectual and romantic possession; the complex, fraught relationships it charts between its various pairs of lovers. A novel to curl up into and to savour.
- Unconquerable Sun – Kate Elliott (2020). This take on “Alexander the Great in space” is just really solid, enjoyable SF. The worldbuilding has texture and substance; the text resists easy moralities; queerness is an expected and unremarkable aspect of its fictional society. Deeply satisfying.
- Shriek: An Afterword – Jeff Vandermeer (2006). I didn’t know much about Shriek before I started reading it, and I found it absolutely fascinating. The fictional city of Ambergris is underlain by a fungoid society that is terrifying in its absolute illegibility. There are shades of China Mieville here, but Vandermeer’s work is more personal, more focused on its twin protagonists, and so that sense of the abcanny, and the threat of it, is magnified. I’m excited to read more about Ambergris.
- The Unreal and the Real Volume 2: Outer Space, Inner Lands – Ursula K. le Guin (2012). I read this collection of short stories in a day, travelling, an immersion that never became wearing. So many of these stories are linked, drawn from le Guin’s Hainish Cycle (although a few stand on their own, and one of them is set in the Earthsea universe), but they all explore very different ways of being and living. I don’t think I’d ever quite realised how transformative le Guin’s work is before: the collection made me think of le Guin’s quote about how capitalism feels as inescapable as the divine right of kings once did, and it really bears out that optimism, that idea that it might be possible to imagine a new kind of society into existence.
- Hot Head – Simon Ings (1992). My last read of 2021, this was another one that came as a pleasant surprise. Set in a cyberpunk future in which the Singularity is about to be invented, it’s deeply engaged with questions of identity, of storymaking and of cultural cohesion. Despite its early 90s publication date, it also features a Muslim protagonist and multiple queer characters. Like many debut novels, it’s a little uneven, but there are some interesting ideas here.
- Infidel – Kameron Hurley (2011). I’ve been looking for this novel in libraries and bookshops for literal years; what a pleasure finally to find it! Hurley’s later work doesn’t appeal to me, but the terse, punchy prose and apocalyptic desertscapes of her Bel Dame trilogy really do. Another SF novel that’s just – fun.
- Hamnet – Maggie O’Farrell (2020). A novel about the family that Shakespeare left at home in Stratford as he achieved fame and fortune in London, Hamnet is another litfic work that’s also a little bit speculative. In this case, the speculative elements are there to immerse us in a worldview very different from the modern one; a worldview that contained the supernatural, the otherworldly, as accepted fact. It’s a technique I’ve always enjoyed; and I also like O’Farrell’s close attention to domestic life in this time period, the textures and smells of 16th-century England.
- I read 89 books in 2021; much less than last year’s anomalous 121.
- The longest book I read was my mammoth collected edition of Mervyn Peake’s Gormenghast Trilogy, at 953 pages; the shortest was Thomas Pynchon’s snappy The Crying of Lot 49, at just 125. Both were re-reads. In all I read 35,787 pages in 2021, significantly down from last year’s whopping 41,837.
- The oldest book I read in 2021 was Jane Austen’s Pride and Prejudice, another re-read and first published in 1813. The average age of the books I read in 2021 was 19, up from last year’s 12.
- Genre: 43% of the books I read in 2021 were fantasy, down from 45% last year. Just 19% were science fiction, down from 26% last year. In fact, for the first time since I started recording my reading in 2014, I read more litfic than SF this year: 22% (last year only 8% of the books I read were litfic). The remaining 16% consists of four historical novels, four classics, three non-fiction books, two contemporaries, a Granta anthology and a book of poetry (Catherynne M. Valente’s A Guide to Folktales in Fragile Dialects).
- As I mentioned earlier, almost a third of the books I read in 2021 were re-reads: 29%, considerably up from last year’s 9%.
- 60% of the books I read in 2021 were by women and non-binary people – the same as in 2020.
- 19% of the books I read in 2021 were by people of colour – slightly up from last year’s 18%.
- And 19% of the books I read in 2021 were by queer authors – up from last year’s 15%.